Lou Veloso’s character in Brillante Mendoza’s film that’s been making waves in both local and international film circuits for almost over a year now is only a blithe example of how experience can get you a remarkable performance. Whether it’s to present how unimaginable a situation is for a small character as his ‘Mang Renato’ in Taklub or how his portrayal can manage to swim along the brilliance of Nora Aunor.
I still stand on what I wrote on Film Police. I still think that Lou Veloso shines more than Ms Aunor, although I admire how she stayed true to the character, without overpowering her co-stars Julio Diaz and Aaron Rivera and Mr. Veloso. There’s just something about the whole performance that at some point did not make me want to believe in what she was [selling] to me. She exudes that matriarchal empathy that the film needs as much as we need our mothers most when times are rough. There are several episodes of personal tragedies faced during Typhoon Haiyan which were featured in local dramas, and Taklub offers it in a grander scale.
In the recent light of Heneral Luna’s success, let this post be a reminder that Taklub was also screened to local cinemas on September 16th. It would be interesting if people went to watch this one too, then perhaps we can truly confirm that this will continue the change that Philippine Cinema needs.
A full-length review of the author is posted under Film Police Reviews. Click here to read more. Photos on this post are taken from the same review.